Necessary cookies ensure that all components of this website function properly. It concerns cookies for the security of the website, cookies for load balancing (e.g. the distribution of requests to a web server over a number of computers) and cookies for the adjustment of the user interface (especially the choice of language and the display of search results). We may install these cookies without your consent. By using the website, you accept these necessary cookies.
Analytical cookies collect general information about the way our website is used. Based on this information, we can make a statistical analysis regarding the use of our website. This analysis enables us to make the structure, navigation and content of our website more user-friendly and to improve it.
You need to activate marketing cookies on the website to play videos and to share articles with others via third parties such as Facebook, Twitter and LinkedIn. Marketing cookies also enable the personalization of online advertising offer. Based on a profile, drawn up on the basis of you click and surfing behavior on our website, we (and third parties) gain insight into campaign performance.
Chathuri Nissansala promotes gender equality through her artistic practice.
Themes
Gender equality
Free Expression / Civil Society
Reexamining history
Others
Disciplines
Artistic Research
Design
Performance
Visual Art
Other(s)
Awards
SEED Award 2023
Profile
Chathuri Nissansala is a multidisciplinary artist based in Sri Lanka. Chathuri is a recipient of the Commonwealth Scholarship for the South East Asian region by the Indian Council for Cultural Relations, and she holds a master's degree in Visual Arts from the Maharaja Sayajirao University of Baroda. Chathuri works with performance art, painting, sculpture, and graphics, and her works raise poignant questions about structures of gender, queerness, and nationalism in Sri Lanka.
Chathuri has been nominated for the Emerging Artist Award (2022-2023) by The Arts Family in London, and the 2023 Indian Art Fair invited her to represent Sri Lanka and discuss her work on queer perspectives. She has performed and exhibited across Asia, some of these include a solo exhibition, “Ritualizing the disfigured: Memorials of healing from Sri Lanka” at Anant Art Gallery in Delhi, as part of the “Rehang” exhibition at Bikaner House in Delhi, and at the “Responses to Memory” exhibition at Gillehri Arts Initiative, among others.